ecopolis

WASHINGTON (Reuters) – Internet search firm Google is finalizing a deal that would let the National Security Agency help it investigate a corporate espionage attack that may have originated in China, the Washington Post reported on Thursday.

The aim of the investigation is to better defend Google, the world’s largest Internet search company, and its users from future attacks, the Post said, citing anonymous sources with knowledge of the arrangement.

The sources said Google’s alliance with the NSA — the intelligence agency is the world’s most powerful electronic surveillance organization — would be aimed at letting them share critical information without violating Google’s policies or laws that protect the privacy of online communications.

via Reuters

Download the Glitch Studies Manifesto.

* PDF: http://www.nytimes-se.com/pdf
* Ongoing video releases: http://www.nytimes-se.com/video
* The New York Times responds: http://cityroom.blogs.nytimes.com/2008/11/12/pranksters-spoof-the-times/

Hundreds of independent writers, artists, and activists are claiming credit for an elaborate project, 6 months in the making, in which 1.2 million copies of a “special edition” of the New York Times were distributed in cities across the U.S. by thousands of volunteers.

The papers, dated July 4th of next year, were headlined with long-awaited news: “IRAQ WAR ENDS”. The edition, which bears the same look and feel as the real deal, includes stories describing what the future could hold: national health care, the abolition of corporate lobbying, a maximum wage for CEOs, etc. There was also a spoof site, athttp://www.nytimes-se.com/.

“Is this true? I wish it were true!” said one reader. “It can be true, if we demand it.”

The front pages of all printed national newspapers from around the world into one place.

Robert McChesney argues that the media, far from providing a bedrock for freedom and democracy, have become a significant antidemocratic force in the United States and, to varying degrees, worldwide. Rich Media, Poor Democracy addresses the corporate media explosion and the corresponding implosion of public life that characterizes our times. Challenging the assumption that a society drenched in commercial information “choices” is ipso facto a democratic one, McChesney argues that the major beneficiaries of the so-called Information Age are wealthy investors, advertisers, and a handful of enormous media, computer, and telecommunications corporations. This concentrated corporate control, McChesney maintains, is disastrous for any notion of participatory democracy. Combining unprecedented detail on current events with historical sweep, McChesney chronicles the waves of media mergers and acquisitions in the late 1990s. He reviews the corrupt and secretive enactment of public policies surrounding the Internet, digital television, and public broadcasting. He also addresses the gradual and ominous adaptation of the First Amendment (”freedom of the press”) as a means of shielding corporate media power and the wealthy. Rich Media, Poor Democracy exposes several myths about the media—in particular, that the market compels media firms to “give the people what they want”— that limit the ability of citizens to grasp the real nature and logic of the media system. If we value our democracy, McChesney warns, we must organize politically to restructure the media in order to affirm their connection to democracy.

via University of Illinois Press

Creative Commons announced the launch of a research study that will definy differences between commercial and noncommercial uses of content. The study will explore how the definitions of “commercial use” and “noncommercial use” are understood among various communities and in connection with a wide variety of content.

Eric Steuer, September 18th, 2008

San Francisco, California, USA — September 18, 2008

The nonprofit organization Creative Commons has launched a research study that will explore differences between commercial and noncommercial uses of content, as those uses are understood among various communities and in connection with a wide variety of content. Generous support for the study has been provided by the Andrew W. Mellon Foundation.

Creative Commons provides free copyright licenses to creators who want to give the public certain permissions to use their works, in advance and without the need for one-to-one contact between the user and the creator. “Noncommercial” or “NC” is one of four different license terms that creators may choose to apply to their Creative Commons-licensed content. Works distributed under a Creative Commons license including the NC term may be used by anyone for any purpose that is not “primarily intended for or directed toward commercial advantage or private monetary compensation,” provided the use also complies with the other terms of the license. Works distributed under a Creative Commons license without the NC term may additionally be used for commercial purposes, an option that promotes creative reuse in a broader range of contexts.

“The study has direct relevance to Creative Commons’ mission of providing free, flexible copyright licenses that are easy to understand and simple to use,” said Creative Commons CEO Joi Ito. “The NC term is a popular option for creators choosing a Creative Commons license, and that tells us the term meets a need. However, as exponentially increasing numbers of works are made available under CC licenses, we want to provide additional information for creators about the contexts in which the NC term may further or impede their intentions with respect to the works they choose to share, and we want to make sure that users clearly understand those intentions. We expect the study findings will help us do a better job of explaining the licenses and to improve them, where possible. We also hope the findings, which will be made publicly available, will contribute to better understanding of some of the complexities of digital distribution of content.”

Full original press release here.

Open Source Art is the idea of rethinking to the discarts of human beens as a code produced by a huge community as the population of planet hearth. In this days I’m doing a workshop on re-think the re-cycle with a group of students of the Academy of Fine Art in Lecce.  The results of the workshop will be exhibited into a beautiful “Chiostro” in Lecce during the event Ring2008.