ecopolis

life in transformation

Archive for the ‘interference’ tag

International Guerrilla Video Festival

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The International Guerrilla Video Festival (IGVFest) is a mobile festival integrating video art with the urban and social environment.
It’ll be all over Milan from 12 till 14 of july.
The festival removes the technologically complex medium of video out of the institutional situation re-positioning it as open and reflexive in the public domain. The artworks have site-specific thematic relations to the space where they are shown, engaging and reflecting upon the unique architectural, historical, and interpersonal context of each area the festival travels to.

One of the aims of the festival is to create a continuous dialogue from the videos into the community, focusing on lapses in the current framework such as an absence of communication or invisible components of the area. Open to local and international artists, the festival widens the panorama of the discourse to include the perspective of communities elsewhere that have parallel circumstances.

A self-contained, transportable GPU (Guerrilla Projector Unit) facilitates the incursions into the public realm. Transforming public space into a fertile ground for experimentation toward new possibilities in the relationship between art and society.

Written by Luca

July 11th, 2008 at 4:15 pm

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Eliminate Ads – Add Art

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Introduction to Add-Art from Steve Lambert on Vimeo.

Steve Lambert, a programmer/conceptual artist, has crated an application that replaces the display ads with curator-picked artwork from contemporary artists.

Add-Art is a Firefox extension which replaces advertising images on web pages with art images from a curated database.

It is a free and open source project, currently being developed at the Eyebeam Development site.

Of the 100+ add-ons available for Firefox, “adblockers” are the most popular. The most current, Adblock Plus, has over 18 million downloads (as of May 2008) since Jan 2006 (currently over 250,000/week). It’s predecessor, Adblock, has been downloaded over 8 million times. These extensions work by preventing advertising images from downloading and replacing the ads with blank space. Their popularity has risen as pop-up ads, banner ads, and ads incorporating sound and animation have permeated the internet.

For many, replacing ads with blank space would be enough. Add-Art attempts to do something more interesting than just blocking ads – it turns your browser into an art gallery. Every time you visit the New York Times online or check the weather you’ll also see a spattering of images by a young contemporary artist.

The project will be supported by an small website providing information on the current artists and curator, along with a schedule of past and upcoming Add-Art shows. Each 2 weeks will include 5-8 artists selected by emerging and established curators. Images will have to be cropped to standard banner sizes or can be custom made for the project. Artists can target sites (such as every ad on FoxNews.com) and/or default to any page on the internet with ads. One artist will be shown per page. The curatorial duty will be passed among curators through recommendations, word of mouth, and solicitations to the Add-Art site.

With the overwhelming popularity of adblockers, if Add-Art were to attract 5% of existing users, the numbers would be in the hundreds of thousands. Add-Art can bring contemporary art to the desktops of all types of people at home and in their workplace – all over the world.

Add-Art was possible because Firefox, the four-year-old browser developed by the nonprofit Mozilla Foundation, does not have proprietary code like the leading browser, Microsoft Internet Explorer, that precludes users from developing such add-ons without paying licensing fees. Firefox is the second-most-popular browser, with 15 percent of the market share, according to Net Applications (Internet Explorer leads with 78 percent, Safari is third with 5 percent).

Add-Art is an open source project and has been developed by the following people:

* Steve Lambert
* Wladimir Palant
* Jamie Wilkinson
* Matt Katz
* Tobias Leingruber
* Ethan Ham
* Michael Mandiberg
* Jeff Crouse
* Sean Salmon
* Evan Harper
* Michelle Kempner
* Dan Phiffer
* Mushon Zer-Aviv

Written by Luca

July 7th, 2008 at 7:22 pm

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Movie-Plot Threat Contest

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Bruce Schneier started his annual Movie-Plot Threat Contest to create fear. The deadline was may 1st.
Here you can read the winners of editions 2006 and and go to read the text of the winner of 2007.

2006 winner: Tom Grant

Mission: Terrorize Americans. Neutralize American economy, make America feel completely vulnerable, and all Americans unsafe.

Scene 1: A rented van drives from Spokane, WA, to a remote setting in Idaho and loads up with shoulder-mounted rocket launchers and a couple of people dressed in fatigues.

Scene 2: Terrorists dressed in “delivery man” garb take over the UPS cargo depot at the Spokane, WA, airport. A van full of explosives is unloaded at the depot.

Scene 3: Terrorists dressed in “delivery man” garb take over the UPS cargo depot at the Kamloops, BC, airport. A van full of explosives is unloaded at the depot.

Scene 4: A van with mercenaries drives through the Idaho forests en route to an unknown destination. Receives cell communiqué that locations Alpha and Bravo are secured.

Scene 5: UPS cargo plane lands in Kamloops and is met at the depot by terrorists who overtake the plane and its crew. Explosives are loaded aboard the aircraft. The same scene plays out in Spokane moments later, and that plane is loaded with explosives. Two pilots board each of the cargo planes and ask for takeoff instructions as night falls across the West.

Scene 6: Two cargo jets go airborne from two separate locations. A van with four terrorists arrives at its destination, parked on an overlook ridge just after nightfall. They use infrared glasses to scope the target. The camera pans down and away from the van, exposing the target. Grand Coulee Dam. The cell phone rings and notification comes to the leader that “Nighthawks alpha and bravo have launched.”

Scene 7: Two radar operators in separate locations note with alarm that UPS cargo jets they have been tracking have dropped off the radar and may have crashed. Aboard each craft the pilots have turned off navigational radios and are flying on “manual” at low altitude. One heading South, one heading North.

Scene 8: Planes are closing in on the “target” and the rocket launcher crew goes to work. With precision they strike lookout and defense positions on the dam, then target the office structures below. As they finish, a cargo jet approaches from the North at high velocity, slamming into the back side of the dam just above the waterline and exploding, shuddering the earth. A large portion of the center-top of the dam is missing. Within seconds a cargo plane coming from the South slams into the front face of the dam, closer to the base, and explodes in a blinding flash, shuddering the earth. In moments, the dam begins to fail, and a final volley from four rocket launchers on the hill above helps break open the face of the dam. The 40-mile-long Lake Roosevelt begins to pour down the Columbia River Valley, uncontrolled. No warning is given to the dams downriver, other than the generation at G.C. is now offline.

Scene 9: Through the night, the surging wall of water roars down the Columbia waterway, overtopping dam after dam and gaining momentum (and huge amounts of water) along the way. The cities of Wenatchee and Kennewick are inundated and largely swept away. A van of renegades retreats to Northern Idaho to hide.

Scene 10: As day breaks in the West, there is no power from Seattle to Los Angeles. The Western power grid has failed. Commerce has ground to a halt west of the Rocky Mountains. Water is sweeping down the Columbia River gorge, threatening to overtop Bonneville dam and wipe out the large metro area of Portland, OR.

Scene 11: Bin Laden releases a video on Al Jazeera that claims victory over the Americans.

Scene 12: Pandemonium, as water sweeps into a panicked Portland, Oregon, washing all away in its path, and surging water well up the Willamette valley.

Scene 13: Washington situation room…little input is coming in from the West. Some military bases have emergency power and sat phones, and are reporting that the devastation of the dam infrastructure is complete. Seven major and five minor dams have been destroyed. Re-powering the West coast will take months, as connections from the Eastern grid will have to be made through the New Mexico Mountains.

Scene 14: Worst U.S. market crash in history. America’s GNP drops from the top of the charts to 20th worldwide. Exports and imports cease on the West coast. Martial law fails to control mass exodus from Seattle, San Francisco, and L.A. as millions flee to the east. Gas shortages and vigilante mentality take their toll on the panicked populace. The West is “wild” once more. The East is overrun with millions seeking homes and employment.

Written by Luca

June 12th, 2008 at 11:49 pm

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After The Net

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‘After The Net’
Observatori: 9th Festival Internacional de Investigación Artística de
Valencia
6 – 29 June 2008, Valencia, Spain.

Deadline for submission >> 18 May 2008
Announcement of selected works >> 20 May 2008
Submission of works >> http://open.kurator.org/

openKURATOR is seeking existing online projects that address the theme of the exhibition ‘After The Net’, dealing with issues of un/openness, in/security, un/stability and systems of control. Five selected works will be displayed online as part of the exhibition and will receive a fee of 200 euros each.

The exhibition takes the documentary ‘The Net‘ by Lutz Dammbeck (2004) as a starting point to consider two competing responses to the cybernetic revolution. On the one hand, there is an emphasis on the utopian promises of global networking and instantaneous communication, and on the other, an emphasis on intrusive systems of technological control. Like the film, the exhibition ‘After The Net’ aims to expose the hidden matrix of revolutionary advances, coincidences, and conspiracies – reflecting the architecture of networks. It explores some of the historical roots of technological open systems in relation to ethics, and reworks them to reactivate some of the founding principles of hacker ethics.

openKURATOR is an open submission and presentation platform developed by KURATOR for Observatori 2008.

Submission of works >> http://open.kurator.org/

Written by Luca

May 10th, 2008 at 7:00 am

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Space Junk

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The ESA Space Debris Accumulation represents the junk putted in the space from 1957 through 2000. According to ESA’s resident space debris expert, Walter Flury, the 10,000 pieces of space litter catalogued at the end of 2003 break into the following categories:

* 41% — miscellaneous fragments

* 22% — old spacecraft

* 13% — mission related objects

* 7% — operational spacecraft

* 7% — rocket bodies

It means that there’s 93% pure junk and only 7% useful satellites circling the earth…

Written by Luca

April 25th, 2008 at 3:00 pm

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Obama, Osama — humm, are they brothers?????

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A pastor from North Carolina posted a ilarious phrase in front of the Jonesville Church of God. Pastor Roger Byrd said he just wanted to make people think…
He wrote: “Obama, Osama — humm, are they brothers” in front of the Jonesville Church of God.
The problem is that as i’m posting it the rumours of the web is encreasing, the interference is changing it and people are commenting. At the end of the process, someone even believe it…

Written by Luca

April 24th, 2008 at 1:55 am

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The Influencers

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The Influencers explores controversial forms of art and communication guerrilla, presenting independent projects that play with global popular culture, infiltrate the mass media, and transform fashions, consumption and technological fetishism.

The key to The Influencers is found in its guests and stories: impostors, pseudo-totalitarian musicians, conceptual hackers, deviant geographers, anarchitects and actors from invisible theatre. In these three days they are going to present their work, show known and less known material and speak with the public about challenges, goals and strategies.

With The Influencers, the border between disciplines is erased (since the message really is the message, and the medium is just a tactic), links between apparently distant projects are found, and bold genealogies are drawn between different countries and generations. Ambiguities are also explored and contradictions are discussed. In the manipulation of everyday symbols, as well as within what is excessive and politically incorrect, we will possibly find inspiration for changing the present and imagining the future.

Written by Luca

February 24th, 2008 at 10:33 am

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It’s Your Passenger Talking To You…

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An FAA report reveals that the computer network in the new Boeing 787 Dreamliner passenger jet setled in the Dreamliner’s passenger compartment, designed to give passengers in-flight internet access, is connected to the plane’s control, navigation and communication systems. The two system are linked and separated just trough a firewall…

The report continue saying that there can be serious security vulnerability in its onboard computer networks that could allow passengers to access the plane’s control systems. What about a passenger that can infiltrate the navigation system trough that cute passenger’s joystick..

The revelation is causing concern in security circles because the physical connection of the networks makes the plane’s control systems vulnerable to hackers. A more secure design would physically separate the two computer networks. Boeing said it’s aware of the issue and has designed a solution it will test shortly.

“This is serious,” said Mark Loveless, a network security analyst with Autonomic Networks, a company in stealth mode, who presented a conference talk last year on Hacking the Friendly Skies (PowerPoint). “This isn’t a desktop computer. It’s controlling the systems that are keeping people from plunging to their deaths. So I hope they are really thinking about how to get this right.”

by Kim Zetter

Written by Luca

February 2nd, 2008 at 10:33 am

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