ecopolis

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Piotr Kropotkin on the Decentralisation of Industries

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Some thinkers talked about the importance of local production when ecologism wasn’t even an idea: “a reorganised society will have to abandon the fallacy of nations specialized for the production of either agricultural or manufactured produce. It will have to rely on itself for the production of food and many, if not most, of the raw materials; it must find the best means of combining agriculture with manufacture–the work in the field with a decentralised industry; and it will have to provide for “integrated education,” which education alone, by teaching both science and handicraft from earliest childhood, can give to society the men and women it really needs.

Each nation–her own agriculturist and manufacturer; each individual working in the field and in some industrial art; each individual combining scientific knowledge with the knowledge of a handicraft–such is, we affirm, the present tendency of civilised nations.

The prodigious growth of industries in Great Britain, and the simultaneous development of the international traffic which now permits the transport of raw materials and articles of food on a gigantic scale, have created the impression that a few nations of West Europe were destined to become the manufacturers of the world. They need only–it was argued–to supply the market with manufactured goods, and they will draw from all over the surface of the earth the food they cannot grow themselves, as well as the raw materials they need for their manufactures. The steadily increasing speed of trans-oceanic communications and the steadily increasing facilities of shipping have contributed to enforce the above impression. If we take the enthusiastic pictures of international traffic, drawn in such a masterly way by Neumann Spallart– the statistician and almost the poet of the world-trade–we are inclined indeed to fall into ecstasy before the results achieved. “Why shall we grow corn, rear oxen and sheep, and cultivate orchards, go through the painful work of the labourer and the farmer, and anxiously watch the sky in fear of a bad crop, when we can get, with much less pain, mountains of corn from India, America, Hungary, or Russia, meat from New Zealand, vegetables from the Azores, apples from Canada, grapes from Malaga, and so on?” exclaim the West Europeans.”Already now,” they say, “our food consists, even in modest households, of produce gathered from all over the globe. Our cloth is made out of fibres grown and wool sheared in all parts of the world. The prairies of America and Australia; the mountains and steppes of Asia; the frozen wildernesses of the Arctic regions; the deserts of Africa and the depths of the oceans; the tropics and the lands of the midnight sun are our tributaries. All races of men contribute their share in supplying us with our staple food and luxuries, with plain clothing and fancy dress, while we are sending them in exchange the produce of our higher intelligence, our technical knowledge, our powerful industrial and commercial organising capacities! Is it not a grand sight, this busy and intricate exchange of produce all over the earth which has suddenly grown up within a few years?”

Grand it may be, but is it not a mere nightmare? Is it necessary? At what cost has it been obtained, and how long will it last?”

Excerpt from FIELDS, FACTORIES AND WORKSHOPS: or Industry Combined with Agriculture and Brain Work with Manual Work, by P. Kropotkin.

Written by Luca

July 17th, 2007 at 2:06 pm

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Interview with Esterni

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Esterni

Lorenzo Castellini, one of the founder of Esterni, a project devoted to the expression of individual creativity, inside a shared pubblic environment. Today the pubblic spaces are too often colonized by private interests, Esterni try to make people aware that pubblic space can be reappropriated by themself.

From 16 to 23 of april Esterni organized a pubblic event in Milan called DesignPubblico, that “promotes another way of living collective places together, a conception of “public space” as opposed to the preeminence of “private time”; first-hand visions instead of tele-visions; and democratic projects instead of oligarchies. Just in free or freed public places this collective revolution will be set in motion.

ECOPOLIS: DesignPubblico want to promote spaces for diversity, what do you mean? content? relationship?
CASTELLINI: We’d like that the pubblic space of every city can express the diversity of the citizens: cultures, trends, behaviours and relations…
Today, instead also the pubblic spaces partecipate to the great campaign of levelling and approval.

Esterni

ECO: we’re in the global communication era and we no longer say goodbye to the neighbour, and we need event like DesignPubblico to seat with strangers at dinner, isn’t that communications technologies tend to individualize and personalize rather then relate and share?
CASTELLINI: Not quite the technologies, rather the politic and market strategies that prefers to hit a weak target, that has no more interesting external inputs.

ECO: besides DesignPubblico, also other event like TakeawayFetival or UnDEAF focus on the interactions between the pubblic, rather than just presents content. How much do you think Internet has an important role to this attitude?
CASTELLINI: Internet can be the engine or the propeller, but has to be different from TV. I think that today the risk of a levelling of Internet to the TV is quite far away.

ECO: sustainable? what make you thinking?

CASTELLINI: Personally i think at a community of people, like a city, that decide to face together the future, the problems and the opportunities of everyday.

Written by Luca

May 4th, 2007 at 11:19 am

Design Pubblico: get the city back

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design pubblico

Esterni, a cultural project devoted to the riappropriation of a pubblic space every day more polluted by toxic memes like advertising and aggressive private property, promote a 7days event that want to present a different way to live the common spaces, that belong to everyone.

Design Pubblico is from 16th to 23th of april in Milan. It comprehends artistic installations, services for the citizen and urban design, spectacular events and collective performances. And more important this event born from a sincere need for spaces to express diversity.

Esterni declare how the parks and the plazas of all the worlds, driven by a sterilized globalization architecture, are becoming more and more similar. Design Pubblico promote a model for the culture of the “pubblic space” against the “private time”, that involves democratic cultural projects against the markets oligarchies.

www.designpubblico.it
www.esterni.org

Written by Luca

April 5th, 2007 at 10:40 am

Posted in Culture, Design

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Simplicity: John Maeda in Milan

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10 laws:
REDUCE ORGANIZE TIME LEARN DIFFERENCES
CONTEXT EMOTION TRUST FAILURE THEONE

John Maeda talked yesterday night at the Mediateca Santa Teresa in Milan, in a open conference organized by MGM digital communication for his series of meeting Meet the Media Guru.
As John Maeda started to talk he said that he considered himself a mediaguy rather than a mediaguru, and i felt myself immediately better. “The computer is nothing more than a pencil” said April Greinman 20 years ago, and Maeda said that if it’s a pencil, it’s one that broke his tip continously, again and again.

maeda

What is semplicity about? semplicity=simplistic? =trend? =more sales? =?
it’s a question with no answer….and we’re at the beginning. So he started to present to the audience how easy it’s possbile to see semplicity and beauty into everyday life, showing photos he did from the complexity of the Dome of Milan to the simplicity of a dead white butterfly on a black asphalt: “the world is a great museum to visit“, you’ve just to open your eyes.

“Capitalism utilize the machine not to further social welfare, but to increase private profit.” Lewis Mumford, Technics and Civilization, 1934

Design is about merging human sensibility and technological aspects, and the human desires are mutable, sometime you want more, sometime less, usually if it’s about pleasure you want more, if about work less.

He started then to present more deeply the book he just edited for MIT Press, called The Laws of Simplicity. And he said since the beginning he wont show all the principles, he did the book for the pourpose and there everything is clearly explained, so read it!!!
Then a quick talk about four laws, about this part was particularly interesting the “SHE’s alwasy right” paradigm, that present a metodology that is always good for design: Shrink, Hide, Embody. Some clear example of this attitude are the evolution of the interface of the I-pod and the shell phone design. So at the fourth law, Learn, he stopped talking about the laws of simplicity and it started the best part of the conference with Maeda seriously telling to the audience how important is to look with a curious eye to the world and to spend time in relational activities: “Friends are forever, spend life making friends, not money“.

At the beginning of the conference he clearly said he thought about 10 laws, but they can be 3, 2 or more, he don’t knows what can happen, but that are his laws about complexity for now and at the end he said what i think are the real laws of Maeda’s way of life:
To live is learn to forget
“Everything is already there, so don’t think too much, but keep on doing
“Look for things that gives you hope, life is great”

then the questions, sincerely not so interesting but among them turned out this:
Q: Artists that inspired you?
A: Duchamp, Bruno Munari and Italo Calvino.

Q: is it really important to learn programming to make design today?
A: Programming is quite boring. 5 years ago i would said yes, now… i don’t know.
Programming is sharp, but life is about emotion, so i hope in the future programming can be softer.

Q: How do you see ther future?
A: I don’t the future i see, i can say the future i want: a future as a friendly place.
and i started clapping my hands….

http://lawsofsimplicity.com

Written by Luca

February 22nd, 2007 at 1:37 pm

Posted in Culture, Design

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