ecopolis

life in transformation

Archive for the ‘tECHnO’ tag

Incontri nella Luna piena – Ignazio Licata – Meta ficiso siciliano

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In diretta su internet
giovedì 9 aprile ore 21,30
http://www.oistros.it/lunapiena

Ignazio Licata è un fisico teorico, professore presso l’Institute for Basic Research di Palm Harbor, Florida, Usa ed attualmente direttore scientifico dell’ISEM, Institute for Scientific Methodology a Bagheria, Palermo. Ha iniziato lavorando nel campo delle particelle e della cosmologia quantistica. Ha discusso le sue ricerche con teorici del calibro di David Bohm e J. P.Vigier.
Oltre ai numerosi contributi specialistici (www.i-sem.net) ha pubblicato: Osservando la Sfinge. La realtà virtuale della fisica quantistica, Di Renzo, Roma, 2006 e La Logica Aperta della Mente, Codice Edizioni, Torino, 2008 che hanno incontrato un notevole successo di pubblico.
A settembre dell’anno scorso ha ricevuto il Premio “Veneri di Parabita” per l’arte e la scienza che gli ha permesso di aprire un proficuo rapporto col Salento ed in particolare con le ricerche condotte dal gruppo Oistros sul tema del tarantismo.
Un Incontro nella luna piena del 9 aprile specialissimo, dunque, che prenderà le mosse da una domanda: Se tanti percorsi di conoscenza si sono risolti in circoli viziosi, possiamo continuare a pensare entro le gabbie delle discipline come ci hanno insegnato a fare, o è possibile trovare percorsi virtuosi?

Written by antonio

April 5th, 2009 at 10:27 am

Antonio Meucci is the original inventor of the “telettrofono” – electrical telephone (1808-2008)

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Antonio Santi Giuseppe Meucci was born in San Frediano, low-class area of the city of Florence, on April 13, 1808, while the city is under Napoleon rule. His family is poor and, even if he is admitted to the Art School [Accademia di Belle Arti], he cannot end his studies as he needs to start working very young. He changes many jobs, from custom employee propman for the “Pergola” theater in Florence. Here he builds an acoustic telephone: that is a telephone in which sound is conducted inside tubes. In the “Pergola” he meets Ester Mochi, a costumer, which he will marry.

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Antonio Meucci gets interested in animal and physiological electricity while he was young. He is active in politics too, and he gets into the revolutionary movements aimed at the Unification of Italy which took place in 1831. Being him a liberal and a repubblican he is be arrested and remains three months in jail, sharing the cell with Francesco Domenico Guerrazzi. He is then pushed to leave the Great Duchy of Tuscany and will finally sail to Cuba. He settles in Havana as propman for the Tacòn Theatre. While in Cuba, while he was trying to cure rheumatisms of a patient via elettotherapy he manages to hear more clearly than he expected the cry of his patient, from the neighbouring room, as the current arrives to him. Meucci’s words were “I thought I heard this sound more distinctly than natural. I then put this copper of my instrument to my ear, and heard the sound of his voice through the wire. This was my first impression, and the origin of my idea of the transmission of the human voice by electricity”. He continues his experiment untill, in 1850, he settles inj the United States, and in the city of New York.

In New Yorh Meucci establishes a candle factory. Here he mets Giuseppe Garibaldi, which will work with Meucci; the two shares a long lasting important friendship. The collaboration between these two famous italians is proved in the New York museum “Garibaldi – Meucci”.

In 1854, Meucci’s wife Ester gets a crippling rheumatical arthritis which will oblige her to bed for the rest of her life, which will occur in 1884. Meucci realizes then the first true telephone link connecting his lab, nearby his cottage, with his wife’s bedroom. In a note dated 1857 Meucci describes his telephone: “it consists in a vibrating diaphragm and in a magnet electrified by a wire wounded around it. When the diaphragm vibrates the magnet modifies the wire curren. These modifications, once they reach the other end of the wire, impresses similar vibrations to the receiving diaphragm, which reproduces the words.”

Meucci ideas are clear, but he lacks the economic means to sustain his research. The candle factory goes bankrupt and Meucci seeks funding with rich italians but without luck. Soon he lacks also mony for his own living and he will survive thanks to his friends’ help.

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(Western Electric Model 1317)

Meucci holds on and, in 1871 establishes e company and files in for a paptent, he names his invention “telettrofono”. The “Telettrophone Company,” has, as main scope, as the contract states, that of “carrying on all the necessary experiments to realize the ‘Telettrofono,’ that is the transmission of words (human voice) along electrical wires, as invented by Antonio Meucci”. There is still a money problem: with his $20 Meucci cannot afford to pay the cost of a patent, which sums up to $250 for a complete patent. As an alternative he files in for a “temporary” patent, or caveat, which lasts one year and can be renewed, the cost for each year being $10 dollari. Meucci will be able to pay this sum only up to year 1873.

In this same period, carrying with him much documentation on his researches, Meucci resorts to the powerfull American District Telegraph Company in New York, asking permission to use their lines for his experiments. The Company does not foresee the implication of the project and dismisses Meucci, causing him yet another failure.

In 1876 Alexander Graham Bell files in for a patent for his telephone. The following years will be spent by Meucci in an endless trial to obtain recognition of the paternity of the invention. Meucci is sponsored by the Globe Company, which suits Bell Company.
The lawsuit ends on July 19, 1887 with a decision which, even if it recognizes som merits to Antonio Meucci, is positive for Bell. “Nothing shows – says the decision – that Meucci really obtained any practical results, besides that of conducting, mechanically, the word along a cable. He surely used a mechanical conductor and he supposed that, by electrifying the conductor, he could have obtained better results”. In a nutshell the sentence states that Meucci had invented the telephone, but not the electrical one.

Antonio Meucci dies, aged 81, on Octover 18, 1889, shortly before that the Globe Company appeals against the sentence. After long lawsuits the Supreme Court of the United States will archive the case.

For more than a century, except in Italy, Bell has been considered the inventor of the telephone. On June 11, 2002, the Congress of the United States finally recognized officially that Antonio Meucci is the original inventor of the electrical telephone.

http://meucci.ing.unifi.it/

Written by Ilari Valbonesi

April 13th, 2008 at 12:02 pm

Posted in INTERFACE

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Space Invaders (Play it again)

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Written by Ilari Valbonesi

April 3rd, 2008 at 8:13 pm

Posted in Design

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Nathan Fake – Outhouse

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Nathan Fake – Outhouse (main mix).

Written by Ilari Valbonesi

March 7th, 2008 at 12:12 pm

Posted in Uncategorized

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Overheated Symphony (Calling all women everywhere)

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Overheated Symphony is all-women directed interactive mobile phone film. This cinematic symphony of women’s voices from around the world is part of the Birds Eye View film festival taking place in London next month which showcases the work of female film-makers.

Women across the world are being asked to make a short film -a “quick flick” – between 40 seconds and four minutes long on a mobile phone and then send it via the internet to a London-based film director who will edit all together.

“If it’s hot, we’d like to see it,” the project’s Web site declares: “Ladies, wherever you are, whoever you are, we want you to join in.”

The inspiration for “Overheated Symphony” was the 1927 film by German filmmaker Walter Ruttmann called “Berlin – Symphony of a Great City,” which used a montage of still pictures from many sources to document city life.

Rachel Millward, director of the Birds Eye View festival, which is now in its third year, says via Reuters the film is as much about new technology as it is about women and heat … Making a film from all these female voices around the world is quite a beautiful thing, but also it’s about shooting down the idea that women are not up to date with technology.”

Contributors are being asked on www.birds-eye-view.co.uk to upload their cinematic efforts onto the festival’s own YouTube channel to be edited.

LIVE EDIT

On Sunday March 9th, between 12noon and 5pm, celebrated artist and film director Sarah Turner (see also her feature screening of Ecology at the festival) and sound designer Annabelle Pangborn will use the structure of a symphony to edit your work. Films submitted by women from around the world will be sampled into one fiery flick, LIVE in London, in the ICA bar, and later published on this website and on youtube.

DEADLINE

Films must be submitted by Sunday 2nd March.

UPLOAD

Once you’ve completed your phone-film please follow instructions (here) and upload it to www.youtube.com with the tag: OVERHEATED SYMPHONY, being sure to put your name and contact information in the descriptions box so that we can credit you and keep in touch.

Written by Ilari Valbonesi

February 15th, 2008 at 9:03 am

Posted in Uncategorized

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The Future is on Demand: Tru2way Technology (One World – One Remote)

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Yesterday I was reading about Tru2way™ technology, the new name for the “OpenCable Applications Platform” (OCAP) that’s being built into televisions, set-top boxes and other electronic devices to enjoy television anywhere, anytime you want.

With tru2way technology, cable companies, content developers, network programmers and consumer electronics companies can quickly deliver the interactive services consumers “want”, and it will work on almost every cable system in the United States as well as in other countries.

This tru2way technology will prove once and for all that any medium (newspapers, magazines and radio before it, TV and just like the internet after it) performs (multi) media services. (the question is how we use or abuse it!)

Anyway: Electronics industry – including Panasonic, Samsung, LG, Intel, TiVo, Motorola, Cisco and Microsoft, are working with COMCAST -cable industry leader – to make the tru2way solution a reality – introducing the industry’s first portable DVR player powered by tru2way technology that will let the consumers watch their recorded programs anytime and anywhere – in the home, at the seaside or on a road trip with their families or friends. Simpler operation with a single remote control. And shared views of course…

“The tru2way platform is here today, and provides the best way to get two-way devices into the hands of consumers, while also giving them access to the full suite of services they want and expect from cable”, said Brian L. Roberts, Chairman and Chief Executive Officer of Comcast Corporation and Chairman of CableLabs.

Panasonic Viera HDTV with tru2way technology provides infact multiple benefits including the access the full range of interactive digital cable video services, video on demand and interactive program guides without a set-top-box.

The Comcast AnyPlay™ Portable DVR (P-DVR) is expected to be available in early 2009 and will let playback DVDs and audio CDs.

Written by Ilari Valbonesi

January 11th, 2008 at 11:29 am

Posted in Culture, FLOWS

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CONCRETE WAVES | Art Basel Miami Beach

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CONCRETE WAVES | HOMAGE TO SKATE CULTURE

Miami Art Positions container courtyard this year has exploded with the actions and images of skate culture.
Ryan McGinness created artwork for the Collins Park welcome center incorporating the central containers, radio/DJ booth, dance floor, seating area, open air cinema, restaurant/bar, and a 70-foot elongated skate-ramp designed specially for Art Basel Miami Beach by architect Tom Postma.
Art Basel Miami Beach 2007 became a multimedia theater for over three evenings, with non-stop, non-repeating footage drawn from music videos and television shows, dance performances, abstract designs, and animations. From punk to hip-hop to techno featuring DJs from the local Miami scene, sounds and sources blended together, fused, overlapping, contaminated, and contaminating art.

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Erwin Wurm, Anger Bumps

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Jeppe Hein | Modified Social Bench A – K, 2006 | 303 Gallery

Written by Ilari Valbonesi

December 10th, 2007 at 10:04 am

Posted in Culture

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Aspects of Art and Technoetics

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Researching the Future: aspects of Art and Technoetics 2007
Prato, Centro per l’Arte Contemporanea Luigi Pecci
December 7-8-9, 2007

Topics-Themes:
Media Art, Syncreticism, Technoetic, Moist Media, Phenomenology, Media Studies, Psycotechnologies, Transmodalities, Interactive Media Design, Virtual Reality, Enhanced Reality, Freud and Dream Science, Radical Thought, Semilife, Cultural Studies, Cognitive Architectures and Consciousness, Enteogenesis …

Now more than ever artists work through cultural interfaces, the ways and means, turning to evocations of both science and mythology, technology and tradition.

The legacy of postmodernism has transformed itself in this “technoetic” variation. Today man is molded by hyperlinks, processors and networks and by bio and wet methodologies. Our senses are redefined, or rather, re-oriented from a collision with emerging realities, generated by new models of our world and of our subjectivity.

New art is linked to means that introduce it to a new praxis of production that is instantly pragmatic and philosophical. It (What? Art or the praxis?) generates interactivity and the transformation of common sense, both socially and aesthetically, while reflecting on the changing nature of perception, of connectivity and of conscience.

The man is not more into the center of the realm.

Works produced, both concretely and mentally, are made of a stratum of conscious associations, of unconscious sensitivity, of historic scientific data, of multiform unity and gripping discourse, fully interwoven in new telematic environments. These environments can be digital or natural and biological, furnishing us with new experiences and original creative visions.

Full program here.

Written by Luca

November 16th, 2007 at 5:41 am

Posted in INTERFACE

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